Allegheny Image Factory’s origin is grounded in food – our first project, FEAST OF THE SEVEN FISHES, was not only a graphic novel, but also a cookbook. So, as we have grown, it’s only natural that food would continue to be a critical part of mission. Lately, we have been working with a number of clients to capture their culinary stories. Two legendary regional restaurants, Muriales and the Wonderbar Steakhouse, have become strong, loyal clients who are willing to take a chance on creative that is a cut-above their competition. Over the last couple of years, our relationships with both have grown stronger and the resultant work has proved extremely popular with customers and the viewing public. What we really appreciate about the owners of both of these restaurants is their willingness to let us put in the time that is needed to properly capture their food. You can’t rush that and get good results. And as mentioned before, their willingness to accept some of the out-of-the-box creative Robert Tinnell proposes for some of these projects keeps us excited and motivated to push ourselves to better and better work. Beyond Muriales and the Wonderbar Steakhouse, we are working with chef Marion Ohlinger to launch his Authentic Appalachian approach to food as well as the wonderful new French restaurant, Pascal’s Bistro. In both of the cases the clients have foregone the typical, broadcast driven :30 spot approach to branding, opting instead for short films that are just that: films. You can view all of these films here as they become available.
In the two years since California University of Pennsylvania chose Allegheny Image Factory to be their go-to production house, we have done a ton of shooting and editing and delivered an enormous amount of finished product on a variety of subjects. But none has been more rewarding than our efforts to chronicle the school’s quietly successful Partners for Fish and Wildlife program. Under the leadership of Jose Taracido, the program has engaged in myriad site restoration activities with such lofty goals as improved native trout habitat and restoring endangered bird species. It’s a fascinating and inspiring effort and we enjoyed traveling to three different states to gather the footage to tell it. Among the sites we observed, none were more rewarding than we found ourselves visiting streams that were once choked with mud and bereft of the ability to host spawning fish resurrected and now home to thriving fish populations. Given our history of love for fly fishing and our work as producers on Fly Rod Chronicles with Curtis Fleming, that aspect alone was enough to make the film a labor of love. We are grateful to Cal U for their ongoing support and to Jose and his team for the great work they are doing.
A couple of years ago we were fortunate to go to work for Florida Gulf Coast University to assist them in developing their television and short image film presence, just in time for the basketball team’s journey to the NCAA tournaments. As a result, our 30 second spot about the university screened on national television. We recently returned to FGCU to craft a new message film – one tasked with outlining the goals of the institution’s capital campaign. Director Robert Tinnell traveled to Fort Myers with the AIF team for the four day shoot with producer, Jeffrey Tinnell, and a production team including director of online gaming photography, Jason Walker and editor Aaron Shelton. The university was extremely supportive, allowing Robert a great deal of creative latitude and the resultant film – FIVE – was well-received by FGCU and its target audience. We look forward to returning to the beautiful south-west Florida campus in the future as we continue to capture the unfolding story of this dynamic school.
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